
A CLASSIC
DILEMMA
It may not be the cheapest entry into classic
car ownership, but there is more to PS Autoart’s 240C than meets the eye.
Words: Stuart Gallagher Photography: Antony Fraser

I want a pre-1973 911. A 2.2 S would be perfect, just like the right-hand drive £35,000 example advertised with early Porsche specialist Export 56. There are a couple of issues however. First off I’m not the greatest classic car fan. Don’t get me wrong, my appreciation for the older generation is as strong as it is for a GT3, it is just that I have a sense-ofhumour failure when it comes to cars that don’twork. After all, they are, at the end of the day, a machine, and what use is a machine that can’t carry out its intended task? The idea of poking around under the engine cover of an original S to get the thing started in the morning doesn’t,for me, fall into the category marked ‘enjoying your Porsche’. Then there is the issue of everyday use and 50,000-miles-a-year motoring. That ain’t going to help the residuals. And did Imention the small matter of the salt-water river running less than 50 metres from my drive?Pregalvanised Porsche parked on the drive exposed to salty air,not a combination you could call perfect. |
It looks like classic Porsche ownership starts with a galvanised body (post 1975) and will wear impact bumpers and most likely a fat,rubber-lipped whale-tail then. Of course there is an answer to my (strictly hypothetical, for now) desire in the shape of a PS Autoart 240C. At the tail end of 2005 deputy ed Dominic Holtam grabbed a drive of PS’s range-topping 300R and Retro models, came away impressed with the concept and saw potential in the project, despite the examples he drove still being very much in the prototype stage. In a nutshell Paul Stephens’ PS Autoart takes an impact bumper or 964-generation 911 |
Fast-forward to early 2006 and Paul Stephens is enthusiastically running through all the improvements and modifications that have been made to the PS series of cars since their launch at the tail end of last summer. The list is pretty substantial but it has grown out of the continuous development Stephens and his team have put into the project, and feedback from customers. The front wings, extended aluminium bonnet all and pre-impact frontbumper |
assembly sit a lot more comfortably and cohesively together thanks to detail improvements in the build process. here are new wing mirrors, which you can actually use and are a 100 per cent improvement on the original items. Also offered is a wider range of mechanical upgrades than before, such as 964 RS suspension and brakes, should you opt for a 964 Carrera as your starting point. |
PS Autoart’s development car, the 240C, started life as an uninspiring 3.0 SC taken in part exchange by the sales side of Paul Stephens’ operation, and proved to be the perfect donor for the Autoart project. The process of building a 240C is identical to all PS-built cars in that it starts with a bare-shell respray followed by a build programme determined by you and your imagination. On this example the 3.0-litre flatsix has been balanced and lightened, the K-Jetronic fuel injection optimised for the increased airflow and improved breathing fromthe sports exhausts and uprated metering unit.
The result is an impressive 236bhp delivered at
5900rpm, with a 5.8-second 0-60mph time and
151mph top speed claimed.
Behind the three-piece solid billet aluminium
wheels (yes, they do strike a remarkable
resemblance to a Fuchs) sit 282mm ventilated
and cross-drilled discs and twin-pot calipers
front to rear. The original front and rear torsion
bar suspension remains, but with every bush
replaced with more modern items and the
dampers calibrated to the car’s 1095kg kerb
weight. The only potential mechanical slip-up
you might detect is the retention of the original
SC’s 915 type five-speed gearbox, but after a
thorough rebuild it’s more than up to the job.
As well as the retro-look GRP additions for
the exterior, internally the 240C takes you back
in time. The door cards are simple RS-esque
leather-topped items in black with chrome
surrounds for the electric window switches and
a leather pull cord to open the door. The
bucket-style seats are also leather lined but
with corduroy inserts to match the replacement
carpet on the floor. The leather-topped
dashboard is a work of art and the PS-tagged
instrument dials a neat finishing touch. The |
The sport exhaust dominates the soundtrack, the flat-six barely audible over the angry bass-filled burble emanating from over your left shoulder. With that trade-mark upright screen seemingly inches As well as the retro-look GRP additions for the exterior, internally the 240C takes you back in time PS Autoart cars all start like this, the final spec is down to you from your nose, the Mota-Lita steering wheel on a collision course with your chest, and the dials bolt upright with the minor controls scattered around the cockpit I’ve subconsciously prepared myself for a trad-911 SC driving experience. It couldn’t be further from the truth. This feels like a new car; well, a car built at the beginning of the 1980s that hasn’t turned a wheel since it rolled off the production line. The clutch, gearshift, brakes and throttle actions are all crisp, pure and razor-sharp. The oft-lambasted 915 gear change still has an arm’s reach of throw between gates but it snicks home with precision, and after three or four miles your palm knows instinctively where to stir to ensure clean up- and downshifts. The brakes feel sharp (they’re uprated after all, so should do) and instill an initially unnerving level of feedback and a comfort zone unexpected in a 911 of this vintage. Consequently, when the opportunity to floor the loud pedal presents itself the temptation is too great and all hell breaks loose behind you. The engine pulls like the proverbial steam train, the tail sinks into the tarmac, the nose goes a touch light and tacho races round to the redline with the pace and |
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After a couple of hours tearing around the Essex/Suffolk/Cambridge borders to satisfy the photographer’s needs the 240C is growing on me. Its performance is unquestionable and those uprated brakes instill the confidence to extract every last drop of it from the flat-six, as does the ride and the car’s general dynamics. The nose bobs around to a degree that would be alien to a modern Porsche driver, but the ride, grip and balance are all there for the taking and combine to deliver the thrills as the miles pile on. Is it the answer to the pre-’73 classic 911- ownership dilemma? In some respects it is, because by opting for a PS Autoart creation you |
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